amazon, brent sampson, Brent Speaks, Kindle, Publishing Trends, Self-Publishing, Uncategorized

Copyright Infringement Rampant on CreateSpace


I don’t think it’s any secret that Amazon owns CreateSpace. I also don’t believe it’s any secret—especially after the author uproar that occurred in April—that CreateSpace no longer offers “creative services” such as interior book formatting, cover design, editing, or the like. When they ceased offering those services, they severed the one last component that identified them as a “publisher” instead of a “content curator,” which is the role CreateSpace now plays, and is a far cry from meeting the goals of writers who dream of publication.

A perfect example appears in a recent article on the Publishers Weekly website, written by Kenny Brechner and titled “Pirating on CreateSpace,” in which he identifies very specific examples of flagrant copyright infringement by individuals (I wouldn’t call them writers) sharing (I wouldn’t call it publishing) content through the CreateSpace platform.  One objective of a publisher is to protect their authors, and also prevent circumstances like the ones reported by Mr. Brechner. Unfortunately, the exact opposite objective is true for a content curator like CreateSpace.  Since it’s “free” to “publish” content there, CreateSpace and Amazon value neither the content nor the authors who created it. Instead, their goal is to compile as much content as possible for the purposes of offering it—usually by giving it away or encouraging their authors to give it away through thinly-veiled “marketing promotions”—to lure new Amazon members into its Prime, Prime Video Streaming, and KindleUnlimited memberships (all of which require monthly/yearly dues, and none of which reward the content creators for their contribution).  

Since CreateSpace/Amazon uses content and its creators as loss-leaders for subscriptions, they are hardly compelled to prevent copyright infringement or acts of piracy. In fact, as you can see from Brechner’s Publishers Weekly article, it was only after the article appeared on a highly respected industry website that Amazon bothered to do anything about it … and the author himself was unable to get CreateSpace to take any action at all, though not from lack of trying.  And as you’ll see from the comments already piling up below the article, this wasn’t an isolated case, nor is it something that authors are willing to tolerate. Comments include phrases like:

“I’d say, Createspace should be embarrassed – beyond measure.” – GISELA HAUSMANN

“…this article is a wise word of caution to us writers.” – Carol Johnson

“Same thing happened to me. I discovered one of its CreateSpace books had pirated both some text and several of my photos from my website that included those texts and those photos selected from my traditionally published book.” – Mark Mathew Braunstein

In fact, the same thing happened with one of my own books, too: Publishing Gems. I discovered that it had been copied in its entirety through the CreateSpace platform without my knowledge or consent. Not only was CreateSpace selling the pirated version, but so were a vast number of Amazon Marketplace booksellers. When I contacted Amazon about the infringement, they were quick to remove it. When I asked them the name of the individual who was responsible for this act of piracy, they ignored me entirely. Then I started receiving emailed requests from all the Marketplace booksellers, notifying me that they had removed the stolen book from their virtual shelves, and asking me to “approve them” for continued business under the threat of cancellation from Amazon.  Here’s the interesting part – all their emails were nearly identical, as if someone from Amazon’s legal department provided them with the exact verbiage to use to request forgiveness.

Do you know what that tells me? It tells me that copyright infringement happens so frequently through CreateSpace that Amazon’s legal department has come up with an actual procedure to cope with it.

Is that the kind of publ—er, algorithm, you want handling your books?

computer piracy

brent sampson
In 2002, Ernst & Young Entrepreneur of the Year Semi-Finalist Brent Sampson founded Outskirts Press, a custom book publishing solution that provides a cost-effective, fast, and powerful way to help authors publish, distribute, and market their books worldwide while leaving 100% of the rights and 100% of the profits with the author. Outskirts Press was incorporated in Colorado in October, 2003.
In his capacity as the Chief Executive Officer and Chief Marketing Officer, Brent is an expert in the field of book publishing and book marketing. He is also the author of several books on both subjects, including the bestseller Sell Your Book on Amazon, which debuted at #29 on Amazon’s bestseller list.
Book Reviews, Self-Publishing Book Review of the Week, Uncategorized, weekly self published book review

Tuesday Book Review: “The Marriage of True Minds”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.
When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review:

The Marriage of True Minds ll field


IBPA Benjamin Franklin Awards – Silver Medal in Romance Fiction

The Marriage of True Minds: Experience the World of 18th Century England during the Reign of George III

by L.L. Field

ISBN: 9781478728733


Journey through 18th-century Georgian England with the Earl of Stoneleigh as he struggles to secure the future of Harcroft Hall by producing an heir with his beautiful wife, Anne of Sudley Manor.  Discover his father’s secret past and meet his mother, the indomitable Dowager Countess of Stoneleigh who will have suitors of her own as one of the liveliest characters in the book.  L. L. Field captures all the details of the period with characters and settings so well-drawn you will not want to put the book down.

 * courtesy of

Featured Review

Field’s debut historical novel takes a look at upper-class life in 18th-century England.

Viewers of the hit television show Downton Abbey and fans of modern-day British royalty are certainly familiar with the pressure on aristocrats to produce an heir. Geoffrey and his wife, Anne, Lord and Lady Stoneleigh, adore their five daughters yet worry over the future of their estate, due to their failure to produce a male child as an heir to the family fortune. The story of Geoffrey and Anne’s marriage and daily life introduces readers to their social circle of wealthy men and women, all living on prosperous estates in the English countryside. As Geoffrey and Anne struggle over questions of the future, Geoffrey’s widowed mother delves into her dead husband’s past to find answers regarding the existence of his former lover. The dowager must also decide how she feels about the present-day attentions of her old friend and neighbor, Lord Wortham. Meanwhile, Wortham’s son, Lord Lynnhurst, attempts to win back the affections of his childhood love, Miss Compton, despite her lower social status. These personal conflicts whirl amid a plethora of fancy dinners and extravagant balls, and Field does a marvelous job of sketching out her characters and settings. She beautifully captures the intimacy and mutual respect of Geoffrey and Anne’s relationship and realistically presents the complicated dowager’s many facets and motivations. There are vivid descriptions of sumptuous feasts (“silver trays laden with venison, sirloin of beef…and bowls of steaming buttered potatoes”), and the author revels in bringing ladies’ fashion to life, detailing frocks of “iridescent silk” or a “taffeta brocaded gown interwoven with lace.” In addition, she touches on broader politics and societal trends—such as the controversial Enclosure Acts, which wrested land rights from poor farmers—and the vicious gossip and whims of London society. The work even crosses genres: Field’s detailed research offers a fine contribution to historical fiction, and her passionate love scenes will satisfy those seeking a titillating romance.

A feast for readers looking to taste the luxurious lifestyle of the English upper crust.

– reviewed on Kirkus

Other Reviews

What a wonderful read! Like another reader, I read it on a friend’s recommendation, and was completely captivated. Field masterfully has created a great story line and an extraordinarily well-crafted view of all aspects of upper class England in the mid-to-late 18th century. The pacing is perfect, the characters are developed thoroughly, with humor and wit, and it leaves me hungry for the sequel, which is in the works. It’s particularly skillful at conveying how women found their place, and power, in such a society. I heartily recommend it!

 – reviewed on Amazon by Sharon Hope

This novel is what I’d call a genre-buster. Looking for a bodice-ripper? You’ll be more than satisfied, as Field’s sure hand delivers one of the best you’ll ever read. But if you crave something beyond the thousand you’ve read, here’s your unexpected treat. “True Minds” is true literature; not the stiff stuff you were made to read in school, but rather what you love to read, elevated to a sophistication and a level of intelligence lesser writers deny their readers. Field confidently ascribes to her audience the capability to understand and appreciate her keen sense of history, place, custom, and — most of all — human relationships, complete with their squalor and splendor, their tragedy and fulfillment, their public and private, the frailties and the sinew we all share. The reader is transported convincingly to another time, but vividly recognizes on every page her own regrets, elations, dreams both dreadful and uplifting, and finally, the triumph of the human will and of the human spirit. Celebrate and enjoy this blessedly non-mass-produced work. And Encore!

 – reviewed on Amazon by David C. Bender

Author Website


tuesday book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space!

Self Publishing Advisor


news from the self publishing world, self publishing news, Uncategorized

Self-Publishing News: 8.13.2018 – The Interviews!

august month

And now for the news!

Some highlights from this month in the world of self-publishing, specifically interviews with or articles written by self-publishing authors and experts!


Why pair these two together? Once in a great while, the letters to the editor can be just as interesting if not more interesting as the article which inspired them, and that is certainly true here. Which isn’t to say the original article, written by Atlantic contributor Alana Semuels, is somehow not good or not interesting itself; the article tracks book sales on Amazon and delves into the oft-fraught history of the relationship between Amazon and books, and between Amazon and self-publishing. Semuels writes about Mike Omer, an author whose books have sold more than 10,000 copies and been rented 10,000 times through Amazon Kindle Unlimited. Omer’s own thoughts serve as a tether, or an anchor, for this article, and as a reminder that all of these discussions are moot if they’re not rooted in the experiences of those who are most affected: the authors themselves. Semuels is interested in how Kindle Unlimited does and does not support authors, self-published and traditionally published. Interestingly–for Semuels, if not the authors themselves–Semuels dedicates the vast majority of her article to the ways in which Amazon, now a self-publishing giant, has undercut traditional publishing and the ways in which it exploits its authors. As Semuels puts it:

Omer’s experience has been like a dream, he told me. But for people in the publishing industry, it may seem more like a nightmare. He sidestepped the traditional gatekeepers to publish his books online on Amazon, gaining thousands of readers. He ignored big publishing houses in favor of an imprint run by Amazon, attracting thousands more. He has little interest in the traditional publishing industry at all, in fact. He’s a successful author, and his whole world is Amazon.

Authors had their own thoughts, though, and they made them known to the Atlantic, and the Atlantic decided to collect together these letters and release them on their own, from those which are mostly interested in amplifying the negative aspects of Semuels’ story, including one by Douglas Preston, to those who have found a home in self-publishing when traditional publishing failed them, such as Wanda Fries. As Semuels points out in an afterward to the letters, the problem isn’t that self-publishing is a success, but rather that traditional publishing has missed an opportunity and alienated a generation of writers instead. “Rather than just rejecting many of the works that come in,” she writes, “traditional publishing houses could have launched their own self-publishing platform, which would have allowed them to keep an eye on promising authors as Amazon now does.” There’s an opportunity in there, and we hope traditional publishing recognizes it.


As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

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