Friday, November 20 

“Problems cannot be solved at the same level of awareness that created them.”
- Albert Einstein

 

 
 

Byline

You are free to use these articles for your website, newsletter, and/or ezine as long as you also include the complete byline below.

Brent Sampson is the President & CEO of Outskirts Press Publishing at http://www.outskirtspress.com and is the author of Sell Your Book on Amazon (http://outskirtspress.com/coachingamazon) and Self-Publishing Simplified (free ebook at http://outskirtspress.com/publishing)

  Article Topics

 

5 Tips For Catching Errors in your Manuscript

What is your biggest fear as a self-publishing writer? For many, it's finding mistakes after publication.
Imagine receiving boxes of books from the printer only to discover a glaring typo. After countless hours of editing and revising the document, followed by editing and revising the proof, followed by another blue-line final, how did it get by?

How do you prevent errors before they wind up in your book? No matter what editing procedures you undertake, mistakes happen.

But employing these 5 methods can drastically decrease the chances of mistakes finding their way into your published book.

1 - Employ an editing service.

The most common mistakes are minor, for example incorrect word use (their, they're, there) and simple misspellings.

2 - Get a second (and third) set of eyes.

Even if you don't wish to pay a professional, anyone who reviews your document will find mistakes you invariably miss. It's a function of the brain called "cerbrainiumitis." Okay, okay, that term is made-up - but the truth is, you're much more familiar with your manuscript than anyone else, and as a result, apt to miss obvious mistakes simply because your eyes glaze over them.

3 - Read your manuscript backwards.

Backwards reading is the antidote to "cerbrainiumitis" because a critical view of the English language cannot be corrupted by the flowing exposition you've massaged into sparkling prose. When you read your manuscript backwards, it's just a bunch of words, and those mistakes literally jump off the page.

4 - Read your manuscript out loud.

When you're forced to say the words your brain is forced to slow down and concentrate on the material. Bonus - you may discover stumbling blocks like awkward sentence structures and choppy dialogue when hearing your book read aloud.

5 - Use the right kind of publisher.

What do you do when that 5,000 print run costs $10,000 and features a grave error that cannot be dismissed? Your best recourse upon discovering an error is typically a sticker and a sense of humor. But a publisher that allows you to revise your book after publication (for a reasonable fee) means you're never stuck with your blunders.


 

Retail Margin, Trade Discount, and What it Means for the Author

DEFINITIONS

Retail margin is basically the difference between your book’s wholesale price and your book’s retail price. For example, a book with a cover price of $10 and a wholesale price of $5 has a 50% retail margin.

Wholesale price is the cost of your book to a retailer. To use the same rudimentary example, a book with a cover price of $10 and a retail margin of 50% will be sold to a retailer for $5.

Retail price is the same as cover price or selling price. This is the cost of the book to the end consumer (the reader). The retail price is typically printed on the cover of the book and also “embedded” within the barcode on the back. For example, a book with a wholesale price of $5 and a retail margin of 50% will have a retail price of $10.

As you can see, retail margin, wholesale price, and retail price are interconnected. By having two figures, the third can be calculated.

The fourth definition to be aware of is the trade discount, which is the percentage off the retail price that a wholesaler or distributor pays for your book. Since the retail margin is a portion of the trade discount, the trade discount always exceeds the retail margin. Distributors typically expect between 50% - 70% in order to provide an acceptable margin to the retailer.

MAKING DISTRIBUTION WORK FOR YOU

It should come as no surprise that the amount of distribution your book enjoys rests largely upon its trade discount. Generally, the higher the discount, the greater the distribution.

Think about it - distributors want to make money, too. So do retailers.

While your book's trade discount is but a piece of your pie (albeit a big piece), it is the entire cake for distributors and retailers, who together must split the take. The greater the number, the greater incentive they have to distribute your book, sell your book, and market your book, etc.

The proper trade discount depends upon each author's intentions, and can vary from author to author just as readily as from book to book. Obviously, the higher the retail margin, the higher the cover price, so authors interested in maintaining the lowest cover price possible will often opt for a lower retail margin.

Conversely, those authors who long for the best distribution possible will elect a higher trade discount, even though their cover price will increase accordingly (or their profit will decrease accordingly). Non-fiction or niche-markets are less affected by higher retail prices and greater distribution is often advantageous in finding those markets.

Often, the author will have little to no say in what trade discount to offer for their books -- its whatever the distributor mandates.

Trade discounts can be as low as 20% to successfully get listed on Internet retailers like Amazon.com, who manage to make a profit with such low margins through EDI (electronic data interface) with distributors like Ingram and on-demand publishers like iUniverse and Outskirts Press.

By comparison, trade discounts can be as high as 75% - 80% when dealing with a niche wholesaler, or when attempting distribution for a book that does not have a proven market. In these cases, the distributor may be padding the coffers a bit in anticipation for a "harder sell" and perhaps, also, in preparation for offering an increased retail margin to close the deal.

INDUSTRY STANDARDS

Industry standards for retail margins are difficult to define because, ultimately, it comes down to negotiation between all parties involved. Publishers have the power to negotiate with distributors, who have the power to negotiate with retailers, who have the ability to negotiate with the reader, but the typical trade discount is around 55%, which allows for a typical retail margin of 40%.

Publishing-on-demand is removing some of the participants in this little dance, and as a result, the same piece of pie is being divided among fewer people, resulting in more money for the remaining players (especially the author).

 

Retail Margin, Trade Discount, and What it Means for the Author

"How do I set up a media event?" -- As a publisher, that's a good question to have an answer for.

Media events and public appearances can fall into any number of categories and include any number of venues (book stores, radio interviews, television interviews, writing group speeches, presentations, chat room interviews, online book tours, public forums, and more).

A good place to identify possible media event locations is through local bookstore. Most bookstores carry event calendars or maintain a list of contact people who hold that information.

Browse the calendar listings and see if a certain book promotion fits with their plans. Sometimes it might be necessary to tailor a planned event for a particular occasion or holiday. If there is contact information available, make a note of it so you can pitch the appropriate person about your event.

Follow-up with prospective contacts who have not confirmed dates. Selling yourself and your book is a numbers game, and as any salesperson will tell you, the amount of contact is directly proportional to the amount of sales.

Be persistent without being annoying. If, after three or four attempts with a particular media contact, you are still unsuccessful move on to another prospect.

Once you secure an event, prepare it thoroughly in advance. People who attend or listen to your events are participating because the advertisement or announcement struck a chord with them, so be sure to deliver what they came to see or hear. Don't be shy about letting them know how to order your book. After all, that's the reason you're involved in the event in the first place.

Promote your media event aggressively. Invite your friends and family, and if it's within the scope of your marketing budget, advertise in the local paper. Neighborhood papers may even promote your event for free within their "Events" pages. You may even be able to tie it into a book review.

The store is sponsoring the event to attract more customers; the station is sponsoring the event to attract more listeners or viewers. Whatever the venue, it is your responsibility to attract the crowd. The venue is just that -- a venue.


 
 

 

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